And still smaller and much more light weight as the Nikon F5, just to point that out one more time.While this judgement might depend on if youre into Nikon or not, it for sure proofs to be true inside the Nikon world.
On what we definitely can agree on is, that the F100 is the digital amongst the analogs. Whenever it was about taking things easy, I relied on the FE. ![]() For this camera I even stepped back from another golden iron stonemade rule: NOE Never on eBay. I found one mint condition in Japan with standard lense setup for 240. Nikon F100 Specs Manual Before ShootingAt least it was definitely the first camera, where I was reading the manual before shooting the very first frame. Once again: At this time the camera which was always in my bag was a Zorki 1. So you will not be surprised when I tell you that it took me another year to find out that the F100 offers multiple exposure by a simple wheel-turn. And that was the day when the Nikon F100 replaced the Nikon FE as my everyday working horse. Nikon F100 Specs Professional SLR ReleasesNikon some sort of bridged their professional SLR releases with slightly lower-specified SLR cameras for semi-professional enthusiasts. Then in 1999 the Nikon F100 became the missing link between the Nikon F5 and the upcoming Nikon F6. If you are judging a camera by its street handling factor, I would even put it over the F5, due to the F5s impressive weight and size. If I want to go hunting with a beast, I for sure choose medium format and the Kiev 88, a Soviet Hasselblad copy from the Arsenal factory in Kiev. Let that sit down when getting the rangefinder layers of your FED 2 matching each other next time. In the 35mm family the F100 became my favourite companion for my Double Exposure Selfs Anthology. The combination of its flexible metering system and the multiple exposure function is offering everything I need to realise any of my concepts in the 35mm field. When one picture is shot over another one, you need a concept of all the light and dark sections of both shots. The dark areas of the first will simply get blown out in the second one, with little or no details (if any left at all). I am using one on a regular basis for my other film cameras and Im fine with it. ![]() No sense in that. But I definitely do need a camera following me from 5000 meters above to 300 meters under sea level, from desert to the crowded streets of megacities.
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